Thursday, November 17, 2011

Occupy

This seems like an annual occurance--the upswell of popular student movement at Cal, protesting tuition raises.  We live in Berkeley; we exercise our democratic rights.

In my Chinese politics class, we talked about the Chinese student movement in 1989 and the professor drew extensive parallels between what is happening at our school and what happened in Tienanmen Square.
The basic question posed: is occupy a performance, as our FORM is our CONTENT?

The occupy movement has long recognized that the message, what the objectives are, what are the demands...are not clear and coherent across the board.  Does that mean what we're doing is for symbolism--a symbol of resistance against the economic tyranny of the exploitative powers that be (1%).

This class has really made me question my academic background that was rooted in literal meaning, objective numbers, or allocatively efficiency.  I had come to Cal with a vague notion to "change the world" and was offered, through classes in development, economics, math, statistics--that there isn't value, not in the real world, for emotions or moral appeal or faith in humanity.  the tools i was given were critical thinking, graphs on supply and demand, impact assessments, or human capital.  Feelings got lost.
the significance of the previous paragraph is to emphasize that occupy doesn't speak that language as well as it speaks the symbolic language of change.  if the movement wore suits and talked in numbers and figures, backed up by charts and graphs, what would it be?
But Songs and Places returns me to state of nature...we use words like..."going there" and "important." vague, powerful, and ultimately deeply personal.  this seems to be a pretty accurate reflection of what occupy is: we have grievances and people are suffering because of them--we gather under a movement and project this symbol.  up against that world, the world of increasing bureaucratization, commodification, corporatization, privatization, institutionalization...

as i'm listening to willie dixon and muddy waters and thinking about the 50 year rule...there is a definite longing for a different time.

Wednesday, October 19, 2011

Duncan and Brady (Leadbelly)

I think this song is the most catching of all the Leadbelly songs. What amazing lyrics! I'm particularly struck by the term "King Brady". What do you guys think about this song?

Duncan, Duncan was tending the bar
In walked Brady with a shining star
And Brady says, "Duncan you are under arrest
And Duncan shot a hole in Brady's breast.

Brady, Brady carried a '45,
Said it would shoot half a mile,
Duncan had a '44
That what laid Mr. Brady so low.

Brady fell down on the barroom floor,
"Please Mr. Duncan don' shoot me no more
Women all cryin, ain't it a shame,
Shot King Brady, goin' shoot him again.

"Brady, Brady, Brady, you know you done wrong
Walkin' in the room when the game was goin' on
Knockin down windows, breakin' down the door
Now you lyin' dead on the grocery [barroom] floor.

Women all heard that Brady was dead,
Goes back home and they dresses in red.
Come a snifflin' and a sighin' down the street,
In their big mother hubbards and their stockin' feet.

Wednesday, October 5, 2011

From the Archives

Here are some amazing photos of the American cultural landscape which really help put a home to the songs of this class. The 77 photos range from a Civil War camp in Tennessee all the way to the 1950's Manhattan skyscape, but many are from the South and Appalachia during the late 19th and early 20th centuries.


Ohio, 1937

Tuesday, October 4, 2011

Banks of the Ohio comic



Hi guys, a friend just shared this link with me to an illustration of the Banks of the Ohio lyrics. There's the one above and a lot more at this website, check it out:

http://r-dart.livejournal.com/9753.html

Wednesday, September 21, 2011

The Ohio


Banks of the Ohio by Joan Baez, one of my favorite versions so far:

http://www.youtube.com/watch?v=2uL4SVdN9Pw&feature=related